This victory propelled Anabelle Pync into the spotlight, earning her a new level of respect and recognition. GFRevenge, on the other hand, was left to ponder the loss and perhaps rethink their strategy moving forward.
Unlike the linear progression of classic revenge stories, GFRevenge allows the audience to the revenge, thereby implicating the player in ethical decisions. This aligns with recent scholarship that argues interactive media transforms spectators into co‑creators of narrative moralities (Murray, 2017).
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