Azov Films Vladik Anthology 12 14 35 Here

| Category | Details | |----------|---------| | | In the dead‑of‑winter, Yuriy , a solitary trapper, discovers a mysterious wooden figure half‑buried in the snow near the abandoned Krasny Bridge . The figure seems to move when no one is watching. As the night progresses, the thin line between folklore and reality blurs: whispers of the “Winter Witch” echo through the forest, and Yuriy’s own memories of his sister’s disappearance surface. The film ends with an ambiguous shot of the figure standing upright as dawn breaks. | | Genre Elements | – Folk‑horror (regional myths about the “Mavka” / “Baba Yaga”) – Psychological thriller (claustrophobic framing, unreliable perception) | | Visual Style | • Aspect Ratio: 1.85:1 (standard theatrical) • Colour Palette: Dominated by bluish‑white and deep charcoal ; occasional warm amber from a fire. • Lighting: Natural daylight (over‑cast) mixed with practical candlelight ; heavy use of low‑key shadows to heighten dread. | | Technical Specs | • Resolution: 2.8K (DSLR with anamorphic lenses) • Sound: Stereo + Dolby Atmos mix; ambient snow crunch, wind, and a low‑drone “heartbeat” motif. | | Production Highlights | • Filmed in situ at the Krasny Bridge (a real WWII‑era structure partially destroyed in 2022). • The wooden figure was hand‑carved by a local craftsman, using pine from a tree that survived the conflict. • The “movement” effect was achieved practically (wire‑pull) rather than CGI, to preserve tactile realism. | | Festival Appearances & Awards | • Sarajevo Film Festival (2025) – Official Competition, Best Short (Genre) (Winner) • Annecy Shorts (2025) – Official Selection | | Critical Reception | “A chilling, beautifully shot piece that captures the starkness of the Ukrainian winter while tapping into ancient fears.” – IndieWire (Jan 2025) “The minimal dialogue forces the audience to confront the silence that is often the loudest part of war‑torn landscapes.” – The Hollywood Reporter (Feb 2025) | | Viewership Data (as of Apr 2026) | YouTube – 820 k views Vimeo – 4,900 rentals |

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