Frame-A-Face uses advanced facial recognition technology to isolate a subject's face. The user sets the dimensions and the system takes over, cropping hundreds of images in just seconds.
Learn more
Frame-A-Face packages the facial recognition technology in a user-friendly interface. It is the most advanced automated cropping system available and the easiest to use. il mare 2000 english subtitle
Learn more
This intelligent software crops large batches of individual images — school photos, sports photos or business portraits —
in just minutes, cropping each image to a uniform size. The film captures a specific era in South
Frame-A-Face uses advanced facial recognition technology to isolate a subject's face. The user sets the dimensions and the system takes over, cropping hundreds of images in just seconds. When Eun-joo moves out, she leaves a Christmas
Online Help Pages
For a limited time, you can puchase a Frame-A-Face license for only $229.00. This is the full-featured version of the software.
Buy Now
Frame-A-Face can cut valuable time from your current digital image workflow.
Built especially for portrait photographers, this state-of-the-art software
uses advanced facial alignment technology to scan hundreds of images
and apply user-defined crop dimensions.
Below, you will find videos and screen shots of the easy-to-use interface
as well as direct worflow application of the software.
Frame-A-Face Overview Video
Frame-A-Face is used by companies around to accelerate their workflow, cropping hundreds of images for
website directories, school yearbooks, passport, id photos and more.
Try Frame-A-Frace FREE for 15 days.
This is the full-featured version,
with all the bells and whistles!
Frame-A-Face is powerful, yet affordable. Currently only $229 per workstation.
(Limited-time offer. Reg. price $259)
Questions?
Call or email us here.
The film captures a specific era in South Korea transition into the 21st century. Good subtitles help bridge the cultural gap, making the characters' isolation universally relatable. Visual Storytelling: The Architecture of Loneliness
The enduring legacy of Il Mare relies on several key cinematic elements that elevate it far above standard romantic dramas: 1. Striking Visual Cinematography
The South Korean film (2000)—originally titled Siworae —is a cornerstone of Asian romance and a must-watch for fans of the genre. Directed by Lee Hyun-seung, it tells a magical story of two lonely souls who connect across time through a mysterious mailbox.
A voice actress who leaves the house in 1999.
When Eun-joo moves out, she leaves a Christmas card in the house’s unique mailbox, asking the next tenant to forward her mail. Sung-hyun receives the letter, but notices a glaring discrepancy: the letter is dated 1999, but he is living in 1997.
The spareness of the English subtitle translation mirrors the film’s aesthetic: white spaces, long shots, empty rooms. A lesser film would over-explain the time anomaly. Il Mare lets the subtitles do the bare minimum, trusting the viewer to feel the gap rather than rationalize it. In that sense, the English subtitle becomes a participant in the film’s quietness—a whispered translation for a whispered love.
The team at Frame-A-Face is proud to announce the latest update.
We have improved the face detection and spacial mapping engine.
This has greatly reduced the time to scan and crop large batches of images.
We have also added two new featuers to help streamline your workflow:
cropping presets and templated exports. The presets feature allows
Frame-A-Face users to tap into the power of the software, givng you the ability
to create, store and apply saved crop parameters with a mouse click.
Templated exports gives users the flexibilty to define precise image exports
for printed products, like ID badges and passport photos.
To watch a general overview video of Frame-A-Face features, click here .
If you are already a Frame-A-Face power user or you are curious about the new
presets and templates features, click here .
Frame-A-Face Advanced Features
This video explains the new features that were added to Frame-A-Face. From a faster
rendering engine, to crop presents and export templates, all were designed to
speed up your imaging workflow.
The Frame-A-Face facial alignment cropping system is quickly becoming an essential tool for any photographer in a high-volume production environment. This includes large image processing centers, as well as local photographers who just contracted their first school or sports league. Many processes in a high-volume digital workflow are still repetitive, where adjustments are applied to each image in a large batch. Frame-A-Face uses facial alignment technology to take one of these workflow processes—in this case cropping—to the next level of automation, cutting time from image processing and saving money.
The Frame-A-Face processes all your photos locally, without using the internet or cloud services. This means your images remain private and secure, never leaving your computer, making it safe to work with personal and sensitive photos.
“Elegance is not the abundance of simplicity. It is the absence of complexity.” —Alex White
This quote from the legendary designer summarizes the Frame-A-Face user experience. Frame-A-Face automates a mundane task (cropping/resizing hundreds of images) with elegant, intelligent easy-to-use software. Are you ready to experience the next generation of smart workflow?
The film captures a specific era in South Korea transition into the 21st century. Good subtitles help bridge the cultural gap, making the characters' isolation universally relatable. Visual Storytelling: The Architecture of Loneliness
The enduring legacy of Il Mare relies on several key cinematic elements that elevate it far above standard romantic dramas: 1. Striking Visual Cinematography
The South Korean film (2000)—originally titled Siworae —is a cornerstone of Asian romance and a must-watch for fans of the genre. Directed by Lee Hyun-seung, it tells a magical story of two lonely souls who connect across time through a mysterious mailbox.
A voice actress who leaves the house in 1999.
When Eun-joo moves out, she leaves a Christmas card in the house’s unique mailbox, asking the next tenant to forward her mail. Sung-hyun receives the letter, but notices a glaring discrepancy: the letter is dated 1999, but he is living in 1997.
The spareness of the English subtitle translation mirrors the film’s aesthetic: white spaces, long shots, empty rooms. A lesser film would over-explain the time anomaly. Il Mare lets the subtitles do the bare minimum, trusting the viewer to feel the gap rather than rationalize it. In that sense, the English subtitle becomes a participant in the film’s quietness—a whispered translation for a whispered love.
For a limited time, purchase the Frame-A-Face cropping system for only $229.00 This software will revolutionize your digital portrait workflow, saving time and money. Not convinced? Try the full version of Frame-A-Face free for 15 days.