A common question: Isn't the 2013 edition just a re-issue? While Steven Wilson’s famous 5.1 surround remix of Close to the Edge came later (2014), the 2013 stereo FLAC 24-192 release coincided with a broader industry shift toward “audiophile-grade” catalog downloads. It is often sourced from a fresh, high-resolution transfer done by engineer Isao Kikuchi (for the Japanese SHM-SACD release) or directly from the Atlantic master tapes.
Chris Squire’s Rickenbacker bass "growl" is tighter and more visceral, especially during the driving sections of "Siberian Khatru." Vocal Clarity: Yes - Close To The Edge -2013- -FLAC 24-192-
For audiophiles and music historians alike, this high-resolution archive provides an unmatched look into the complex arrangements that shaped progressive rock. The Anatomy of the 24-bit / 192 kHz FLAC Archive A common question: Isn't the 2013 edition just a re-issue
from the original 1972 master tapes. This provides the most authentic representation of the original production by Eddy Offord, preserved without modern EQ or compression. Steven Wilson 2013 Stereo Remix: Chris Squire’s Rickenbacker bass "growl" is tighter and
: The signature aggressive "growl" is perfectly separated from the bass drum, maintaining independent clarity.
Working with high-fidelity digital transfers, Wilson bypassed the limitations of analog desks to hand fans a mix that was cleaner, wider, and infinitely more dynamic. Why 24-Bit / 192kHz FLAC Matters