| Stage | Software / Tools | Highlights | |-------|-------------------|------------| | | Clip Studio Paint, Photoshop | Rough thumbnail sketches, color studies, pose matrices. | | Base Modeling | Blender (v3.5) for low‑poly base; ZBrush for high‑resolution sculpt | Efficient poly‑count management using retopology after sculpt. | | Sculpting Detail | ZBrush | Fine skin pores, hair strand clumps, fabric folds. | | UV Unwrapping | Blender (Smart UV Project + manual seams) | 2‑K to 4‑K texture maps, optimized for web distribution. | | Texturing | Substance Painter (v2022.1) + Adobe Photoshop | Use of Subsurface Scattering (SSS) for skin, Anisotropic for fabric, Emission for glowing orb. | | Hair & Fur | XGen (Maya) for hair strands; HairWorks for secondary strands | Custom shaders for neon gradient. | | Rigging & Pose | Maya (Advanced Skeleton) + Blender (Pose Mode) | Pose baked into the final render; a simple facial rig for the wink. | | Lighting & Rendering | OctaneRender (GPU) + Arnold (CPU fallback) | 4‑K output with 64‑sample anti‑aliasing; use of Denoising to keep render times manageable. | | Post‑Production | Photoshop (color grading, lens flares) + After Effects (for animation loop) | Subtle vignette, slight chromatic aberration for a “camera” feel. |

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