Daisy 2006 Korean Movie 20 Direct

An elite Interpol detective who uses Hye-young as cover for his surveillance mission. Realizing she is waiting for her flower-giver, he inadvertently allows her to believe he is the mystery man, leading to a romance built on a mistaken identity. Directorial Vision and Style

A young street artist who dreams of holding her own exhibition. She receives a pot of daisies at her doorstep every day at 4:15 p.m. from a mysterious admirer. Park Yi (Jung Woo-sung): Daisy 2006 Korean Movie 20

An Interpol agent who uses Hye-young’s portrait stand as a stakeout spot to track a criminal. Because he is carrying a pot of daisies when they meet, Hye-young mistakenly believes An elite Interpol detective who uses Hye-young as

One of the most fascinating aspects of "Daisy" is its production pedigree. Directed by Andrew Lau, the legendary filmmaker behind the Infernal Affairs trilogy (the basis for Scorsese’s The Departed ), the film represents a unique marriage of Korean romance and Hong Kong action. For Korean audiences, the film is a "melodrama," but in Lau's hands, it carries the weight and pacing of a Hong Kong action noir. Lau famously insisted that despite the Korean script and actors, the film is "100% a Hong Kong film," with 70-80% of the crew hailing from Hong Kong. She receives a pot of daisies at her

A child runs past him, holding a daisy. "Mister, a lady told me to give this to the sad man on the bridge."