Lars-Erik Larsson (1908–1986) occupies a unique position in 20th-century Swedish music. A student of Alban Berg in Vienna (1930–1931) and later a prolific composer for radio, film, and the concert hall, Larsson developed a style that balanced modernist techniques with clear forms, tonal centers, and a distinct Nordic lyricism. His Saxophone Concerto , Op. 14 (1934), stands as one of the earliest major concertos written for the alto saxophone as a serious classical instrument—predating Glazunov’s famous Concerto (also 1934) by only months, and appearing well before the saxophone concertos of Ibert (1935), Villa-Lobos, and Creston.
The phrasing should be clean, precise, and rhythmic, reflecting the style of the early 20th century. Conclusion larsson saxophone concerto pdf full
Modern editions include editorial fingerings and breathing suggestions, but many professional players return to manuscript sources to understand Larsson’s original intentions. 14 (1934), stands as one of the earliest
Introspective and somber, showcasing the instrument's vocal qualities. Allegro scherzando Introspective and somber
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Larsson composed the concerto in 1934 shortly after returning to Sweden from studies in Vienna and Leipzig under figures like . The work was dedicated to and premiered by the legendary German-American virtuoso Sigurd Raschèr on November 27, 1934, in Norrköping, Sweden.
Concerto for Alto Saxophone (Larsson) - Wind Repertory Project