Kerala’s traditional art forms— Kathakali , Theyyam , Kalaripayattu , Mohiniyattam —are not museum pieces in Malayalam cinema. They are living, breathing dramatic tools.
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For decades, Malayalam cinema served as a critique of the Nair tharavadu system (the matrilineal joint family). Films like Kodiyettam (1977) and Ore Kadal (2007) dissected the crumbling feudal ego. However, the most potent revolution came in the 2010s, with a wave of films that dared to examine caste—a subject long considered taboo in "progressive" Kerala. Kerala’s traditional art forms— Kathakali , Theyyam ,